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Тип:
Непериодическое
Автор:
Заглавие:
Proxemics
Сведения, относящиеся к заглавию:
Selected Writings. 1988-2006
Материал:
Сведения об ответственности:
[Ed.: Lionel Bovier]
Выходные данные:
Zurich : JRP, 2006
Пагинация:
288 с. : ил.
Язык:
англ.
ISBN / ISSN:
3-905701-01-4
ББК:
85.100
Хронология:
Ключевые слова:

No less versatile in his writing than in his installations, films, architecture and sculpture, Liam Gillick unites his critical essays in this collection, most of which were originally printed in art magazines or exhibition catalogues. Lauded for his ingenious reinterpretation of Conceptual and Minimalist art, Liam Gillick has often used language, whether in type on a wall or on a page, as a site of artistic, theoretical and political intervention. He reveals himself here as a witness of and major actor in the largely European 1990s art scene that included Philippe Parreno, Pierre Huyghe, Carsten Holler, Angela Bulloch, Douglas Gordon and Rirkrit Tiravanija. A key publication of discussions, references, and artistic engagements of the 1990s, the book also allows an examination of the renewed importance at this time of Felix Gonzalez-Torres, John Baldessari and Allen Ruppersberg.

Экземпляры
Шифр хранения:
85.100 G45
Местонахождение:
Чит. з.
Статус:
Доступно
Сведения об экземпляре:
Из книг А. Новосёлова
Карточка
85.100 G45

Gillick, Liam.
Proxemics : Selected Writings. 1988-2006 / [Ed.: Lionel Bovier]. - Zurich : JRP, 2006. - 288 с. : ил. - ISBN 3-905701-01-4.
На англ. яз.
Непериодическое - Текст.
Балдессари Джон.
Джадд Дональд.
Пардо Хорхе.
Сала Анри.
Юиг Пьер.
Коллаж. Объект. Инсталляция - Инсталляция.
Изобразительное искусство - История искусства - Стили и направления - Концептуализм.
Искусство действия - Перформанс.
Изобразительное искусство - Теория искусства. Арт-критика.
1980-е.
1990-е.
2000-е.
утопия.
ББК 85.100.

No less versatile in his writing than in his installations, films, architecture and sculpture, Liam Gillick unites his critical essays in this collection, most of which were originally printed in art magazines or exhibition catalogues. Lauded for his ingenious reinterpretation of Conceptual and Minimalist art, Liam Gillick has often used language, whether in type on a wall or on a page, as a site of artistic, theoretical and political intervention. He reveals himself here as a witness of and major actor in the largely European 1990s art scene that included Philippe Parreno, Pierre Huyghe, Carsten Holler, Angela Bulloch, Douglas Gordon and Rirkrit Tiravanija. A key publication of discussions, references, and artistic engagements of the 1990s, the book also allows an examination of the renewed importance at this time of Felix Gonzalez-Torres, John Baldessari and Allen Ruppersberg.

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